I saw this article on the Drudge Report.
Just over a year ago, Oscar-winning film-maker Peter Jackson stood on the mammoth Skull Island set he had built on a peninsula in New Zealand and told me why he loved King Kong.
Speaking about Merian Cooper's classic 1933 movie, Jackson said: "The original Kong is a wonderful blend - probably the most perfect blend - of escapism and adventure, mystery and romance. It does everything an escapist movie should do: it takes you places you are never going to see and gives you experiences you are never going to have."
Jackson's words came back to me as I sat in the back row at the Loews Cinema complex on New York's West 68th Street this week, watching the first screening of his new version of Kong.
He may not have known it at the time, but Jackson could just as well have been talking about his own extraordinary remake of the movie that inspired him to become a director when he saw it one Friday night on TV when he was just nine years old.
The very next morning, Jackson started creating stop-motion films using Plasticine.
This time round, the director had some much bigger toys - 21st-century humdingers - to play with.
And he has made a picture I can only describe as jaw-droppingly brilliant: the most entertaining blockbuster movie this year.